从16年北影节第一次看安德烈睡过去小半场不明就里到今年重看潜行者全程瞩目深受触动发生变化的原因大概是不再使用1.5倍快进看片京香julia努力将观影时间留给大屏幕老塔is all about 时间&乡愁当你无法以他的速度和视角来体察世界大概很难理会他在那些似乎没有叙事指向镜头后想要传达的信息仍不敢说自己看懂了大概需要在有更多体验之后才能从更多的层次上理解也许这就是看电影所讲求的timing吧
廿四格:210.29.210.205
在当时算是还蛮另类的台剧了三种结尾很困惑
洛林上仙:139.210.183.250
bell hooks, "ethnographic gaze", "an outsider looking in", "does not oppose the way hegemonic whiteness 'represents' blackness but rather assumes an imperial overseeing position that is in no way progressive or counterhegemonic." Judith Butler, "camera itself is empowered as phallic instrument", "the vehicle through which the transubstantiation occurs", "an instrument and effect of lesbian desire", "to enter into a logic of fetishization which installs the ambivalence of that 'performance" as related to our own." 但说实话自己观影时没觉得这部的gaze有多problematic/patronizing京香julia可能因为我本身就是一个凝视这个群体的外人