导演很用心至少藏区的很多细节都算得上原汁原味:闭关的小屋金刚舞打麦弹唱去市集……我已开始以为这一定是个古代片却原来是个现代故事钟丽缇在里面也很美而且我认为她的形象远高于达世如果说此片有什么瑕疵那就是男主的演员一张小沈阳一样惨白的脸是闹哪样皈依僧之前be a man
京都火烈鸟:36.56.4.13
what can i say? 上半部无所谓看不看不如直接看他的电影就好了下半部属实让人唏嘘他的个人命运智慧才华性格为人不太可能取得金钱上的成功的许鞍华其实也是拍了一辈子片经济上并没有想象中的光鲜胡导的祖父应该曾是山西巡抚父亲留日虽然没明说但是他大概正儿八经是富贵环境出生长大对金钱不太有观念不计较再正常不过不然怎么会刚逃到香港就把钱全放在公寓老板那还被卷走小榆很漂亮啊很好精产国品一二三产区入口希望她过得好不被打扰
Barton Byg, for instance, acknowledges that Die bleierne Zeit “constructs a powerful cinematic evocation of a land burdened by its past,” but he claims that the film’s power comes from “the acceptance of mass culture as a language or sign-system into which neither the critic nor the artist can intervene from the outside. They accept the film industry as it is rather than propose a radical alternative.”//Brockmann, S. A Critical History of German Film[M].New York: Camden House, 2010:385